Photoset

booksactually:

DOOR

I keep out. I keep in. I keep safe.

She never really did understand that. She doesn’t like me shut.
As a child she used to walk from one room to another,
sometimes even one house to the next, no matter that there
was no way in. She’d wait, patiently ringing the bell till
someone came. Unabashed and unruffled by the angry or
sometimes pitiful looks she’d get, she’d ask if anyone wanted
to play with her.

She’s still that way. Never learnt that people close me for a
reason, that there are walls nor meant to be walked through,
not without being invited in. She knows her house is empty
but still she keeps me open, waiting, hoping to laugh and play
in ways as yet not known. Closed, she confesses to me, is
alone. Closed behind, she adds in a terrified whisper, is worse.
It’s homeless.

I speak to her sometimes, in my wordless, creaky way. I tell
her to shut me tight, to hold on to those who sometimes come
in to look around, wondering if what is emptiness to her could
be their space. She refuses. I remain open, watching as those
who come in go out.


— from Objects of Affection by Krishna Udayasankar

(purchase your copy online now !)

Photo
booksactually:

“When the heart is not enough it finds another room. Water does this. Traffic slows for rain. Let the tangled roots come and teach you sprawl, moral substitution, efficiency: every weed leans towards the ungraspable. In time fingers write their own music whether or not they are slender. Breathe. Make your own gravity, pull down sunlight. It takes longer than years to cross the door.”
— Other Things and Other Poems 
(new and selected poems, with Croatian translation)
by Alvin Pang
 

booksactually:

“When the heart is not enough it finds another room. Water does this. Traffic slows for rain. Let the tangled roots come and teach you sprawl, moral substitution, efficiency: every weed leans towards the ungraspable. In time fingers write their own music whether or not they are slender. Breathe. Make your own gravity, pull down sunlight. It takes longer than years to cross the door.”

— Other Things and Other Poems 

(new and selected poems, with Croatian translation)

by Alvin Pang

Link
Video
Photoset

booksactually:

WHAT TYPE DO YOU LIKE ?


Deciding

always gets me confused. I’ve never been into
designer labels : butch, femme, andro, dyke,
crew cuts, china dolls, jeans that fit to different

degrees

of gender. Top and botton, who pays for what
where, who says what when, who pulls out
chairs, wears the pants. Are we so short of

pants

that only one of us can wear them ? Strange
to be framed through boxes of words when
our eyes say more than we are able to

hide

from each other. What ‘type’ do I like ? I like
the tradition of Times New Roman, slender
capitals of her body like pillars found in the

hearts

of Greece; am drawn to the curves of
Helvetica, smiling and friendly, flesh round
like the moon, disguising the edges of her

voice

with laughter. Courier because she believe
in Bohemia. Blackletter because she’s hard
to discern. Throw in some Wingdings for the

purpose

of obscure conversation. There is no “type”
that fits the drop-down menu of the things
I desire: a lover who draws lipstick heart

beneath

the creases of her shirt. Who hikes up her
skirts to get to the third step of that ladder
in one go. Whose presence breaks

boundaries,

routine and the ice. Whose heart
reveals like a mirror, full-length and
full-breadth, reflects the way

light

does off the water, conceals thinly
that crevice cut out by rivers,

that ravine of what it means to be
human.

— from Tender Delirium by Tania De Rozario

/

( BUY! )

Link

wonderfuldays:

“Singapore You Are Not My Country”
by Alfian Sa’at

Singapore you are not my country.
Singapore you are not a country at all.
You are surprising Singapore, statistics-starved Singapore, soulful Singapore of tourist
brochures in Japanese and hourglass kebayas.
You protest, but without…

Link

I discuss language identity, Singapore literature and poetic practice with Ryan Van Wrinkle at the StAnza 2013 poetry festival.

I get to read a few of poems and a selection from the anthology TUMASIK: Contemporary Writing from Singapore. Other topics: how Seamus Heaney has influenced my work, my grandmother’s deadly Cantonese aphorisms, and the startling work being done by Malay and other non-Anglophone writers in Singapore.

Text

SINGAPOREAN Authors & Publishers at the 2013 London Book Fair

SINGAPORE NETWORKING NIGHT
Mon 15 Apr, 1700-1800
Stand X455, Earls Court 2
» Come meet and network with Singaporean writers, publishers, lit arts administrators etc.

TRANSLATION FLOWS IN ASIA
Tue 16 Apr, 1645 - 1745
Literary Translation Centre, EC2
» Alvin Pang and other int’l translation pros explore translation flows - into Asia, between various Asian countries, and out of Asia - discussing trends and key issues, as well as the role of the English language in the process.

SINGAPORE SLINGERS - MEET THE AUTHORS BEHIND NEW SINGAPORE WRITING
Tue 16 Apr 1900 - 2030
Daunt Books Chelsea, 158-164 Fulham Road, London SW10 9PR
» Alvin Pang (poet, editor), Colin Cheong (novelist), David Seow (children’s author), Rosaline Ting (playwright) introduce their work.

LBF 2013 LOVE LEARNING: NEW VOICES FROM SINGAPORE
Wed 17 Apr 1300 - 1400
Wellington Room, Earls Court 1
» Publishers Fong Hoe Fang, Jayapriya Vasudevan, Philip Tatham and NAC Lit Arts Director Paul Tan discuss S’pore’s cosmopolitan and multilingual literature as well as rich infrastructural support (funding, IP, market etc.)

UN(DIS)COVERED TREASURES? WRITINGS FROM A UNIQUE ISLAND
Wed 17 Apr 1900 - 2030
Woolfson & Tay Bookshop, 39 Bear Lane, London SE1 0UH
» Writers Alvin Pang, Colin Cheong, Joshua Ip and publisher Edmund Wee discuss issues of creativity,  readership, and the global marketplace.

Link
Quote
"To carry truth is an interesting metaphor. Language is assumed to carry meaning. But meaning fades from language the way colours fade from a photograph if too much exposed to light. Eventually there is only a very faint blur or trace."

— George Szirtes— ‘The Idea of Subject in Poetry’ (via jslr)